BEN MORALES FROST-12.jpg

Ben Morales Frost

Composer, Orchestrator, Producer and Arranger | Film • TV • Theatre

New & Upcoming Work

 

Goodbye June dir. Kate Winslet
Feature (arrangements, orchestration and additional music) 2025

The Land Of Sometimes dir. Leon Joosen
Feature (song arrangements and orchestration) 2026

The Upside Of Unrequited dir. Anna-Elizabeth and Hillary Shakespeare
Feature (composer) released soon

Ignition
Concert Work (composer) premières 31st May with the London City Orchestra

Forest Music
Album (composer) now on Spotify


new album out 7th Feb

 

Click to pre-save

 

Highlights Reel

Selected music highlights. For more examples or reel requests, get in touch!

Ben is a multi-disciplinary composer, producer, orchestrator, and arranger, specialising in emotional and evocative thematic scores for film, television, immersive experiences, and theatre.

Working from his London studio, he crafts bold, memorable music that blends the full-throated power of the orchestra with contemporary electronics, creating a distinctive and compelling sonic world.

Recent high profile projects include music producer, arranger and orchestrator on Disney’s The Castle, orchestrator on Mission Impossible Dead Reckoning Part One, Argylle and Luther, and additional orchestration on Wonka.

Recent composition work on screen includes Blue (feature), Beautiful Things (short), Let’s Talk About George (short), The Language of Love (Channel 4 series) Face2Face (feature), Back To School (Save The Children International campaign) and A Beast In All But Name (short).

Ben’s EP of new Christmas carols, What Will This New Day Bring?, was recorded with the City of London Choir and was ClassicFM’s choral choice, and his most recent album Forest Music, a collaboration with Violeta Vicci, was released in February 2025.

Ben has recorded at every major London recording studio, and is a proud member of BAFTA Connect, a supporting member of the Alliance for Women Film Composers, on the Media Council at the Ivors Academy, and part of the Society of Composers and Lyricists in the US.

  • Musical Theatre composing projects include Graham Greene’s Our Man In Havana (Watermill) and a new musical version of The Sorcerer’s Apprentice (James Seabright Productions), both written with Richard Hough. Other Frost & Hough shows include Billy The Kid (NYMT) and A Christmas Carol (Wellingborough). The Billy The Kid cast album reached #2 in the iTunes Soundtrack charts.

  • Orchestration and arrangement credits include: The Sound of Music (International Tour – orchestral reductions); Starlight Express (Bochum, Germany & UK Tour); Now and Forever – The Music of Andrew Lloyd Webber (Marriot Theatre, Chicago); Jesus Christ Superstar (Arena Tour, RUG – additional orchestration); The Wizard of Oz (London Palladium – additional arrangements & orchestrations); New South Bank Show Theme (Sky Arts – additional orchestration & arrangement); Diary of a Chav (Workshop – orchestration & arrangement); Big Bruvva The Musical (Edinburgh Festival Theatre & Upstairs at the Gatehouse - orchestration & arrangement); Speed Dating The Musical (Jermyn Street Theatre – transcription & arrangement).

  • Other credits include: Tell Me On A Sunday (St James Theatre – music preparation & supervision); The Phantom of the Opera; 25th Anniversary (Royal Albert Hall & DVD – music preparation); Love Never Dies (West End, DVD & Concept Album Recording at Abbey Road – music assistant, transcription & additional orchestration); Theme from Stephen Ward (single for Milos Karadaglic – arrangement); Sing – Diamond Jubilee Single (Gary Barlow & Andrew Lloyd Webber – music preparation and transcription). Ben began his musical career assisting Andrew Lloyd Webber for 5 years, during which he created the definitive set of scores to the entire Andrew Lloyd Webber Catalogue.

Film, tV + Concerts

Theatre